Two layers, 28 x 110 cm, 8/2 cotton, 16/2 cotton, carpet yarn (wool), June–July.Nederlandse versie hier. The last piece, like the first weave in this study, was a double weave, but this one consisted of one layer of eight heddles and one layer of four heddles. That way, I could make the most of my

Three layers, 18 x 80 cm, 8/2 cotton, mid-February – May.Nederlandse versie hier. For the second cloth, I decided to weave in three layers. Twenty-four shafts in two blocks meant I could use a maximum of four shafts per layer. My brain had to work even harder, because three layers mean even more calculations and

Two layers, 17 x 25 cm, 8/2 cotton, January – mid-February 2026.Nederlandse versie hier. Layered Complexity was a study of complex weaving in multiple layers. With this research I added a new dimension to my relatively new weaving practice. I explored the possibility of creating color changes without the ever-present warp intermingling with the weft,

A series of now three canvases from one warp, with the experiment of creating different impressions by varying patterns and colors. The patterns used in the fabrics are mostly further developed patterns based on my Weaving Glitches research.Each fabric has its own subtitle. From left to right in this portfolio: Candy, Distortion and Ocean. Size

Series of smaller weaves in which I try to find visual patterns with minimal color combinations. The basis of these fabrics is derived from Ocular Aurora but with more variation in the patterns and colors. This ongoing research is also a challenge to present my works in series, always returning to my own imaginary glitches

An imagination of the sea, which included pollution, waves and a mermaid. I wove it as an experiment to create a visualization from an image in my mind. 31,5 x 57 cm, 8/2 bio cotton, 2025.

A Story of Unfolding Wings is a short stop-motion film made entirely from hand-woven frames. It tells the story of my journey as a trans woman. About living under a male mask, discovering and removing that mask. Waiting on the waiting list, the diagnostic phase, and the transition that followed. The film aims to show

Glitching Threads is a direct follow up on my Weaving Glitches research. It’s a commissioned work, but with full freedom on the design. It is based on my first Weaving Glitches weave. I did add some variations in patterns and angles off the patterns I did not try before. Also I made some variations using

A number of factors glitched when I was composed in my mother’s womb. I think my love of glitches arose from my struggles in society when I did not yet know for myself that my identity was so diverse and interesting. When I look in the mirror now I see mostly my femininity, but also

A number of factors glitched when I was composed in my mother’s womb. I think my love of glitches arose from my struggles in society when I did not yet know for myself that my identity was so diverse and interesting. When I look in the mirror now I see mostly my femininity, but also